Join us each Tuesday to read about an important global issue, complete the tasks to share your opinion with us.
How Far is Too Far? (New York Times 28/10/2022)
How concerned are you about climate change?
Do you think enough is being done to stop it?
Have you ever taken any actions, big or small, to protect the environment and address climate change?
In recent months, climate activists in Europe have glued themselves to paintings by Picasso and Botticelli, thrown mashed potatoes on a Monet and tossed tomato soup on a van Gogh. After tossing the soup, one activist challenged onlookers: “What is worth more, art or life?”
The activists didn’t damage the paintings (they were protected by glass), but the actions went viral and set off an international storm of outrage and debate.
What is your reaction to these dramatic forms of activism? Are they misguided or even counterproductive? Are they acts of vandalism? Or are they necessary during a climate emergency to protect the planet? How should we decide what are acceptable forms of protest, dissent and activism?
Read the full article from the New York Times and then tell us:
What’s your reaction to the recent climate protests targeting famous artworks? Are these actions necessary to end complacency about the climate crisis? Or are they acts of vandalism — destructive, misdirected and counterproductive? How should we decide what are acceptable and effective forms of protest, dissent and activism?
Phoebe Plummer, one of the Just Stop Oil soup throwers, asked museumgoers whether they were “more concerned about the protection of a painting or the protection of our planet and people.” How would you respond? Is that an illuminating question? Or a false moral choice? Are famous artworks appropriate targets for activists? What if the artworks are harmed in the process?
Mel Carrington, a spokeswoman for Just Stop Oil, said, “We tried sitting in the roads, we tried blocking oil terminals, and we got virtually zero press coverage, yet the thing that gets the most press is chucking some tomato soup on a piece of glass covering a masterpiece.” Are the climate activists justified in resorting to high-profile tactics because they believe that little else has worked? Or are there better ways to effect change?
Ms. Buckley asks: “Were the activists misguided attention-seekers who harmed the climate movement’s legitimacy while doing nothing to help the Earth? Or did they force a spotlight onto everything at risk if significant climate action isn’t taken fast?” Which description do you think is more accurate? What impact do you think the Just Stop Oil protests will have, good or bad? Do they help or hurt the activists’ cause?
Ms. Buckley writes that art has been targeted by protesters before, citing suffragists’ attacks on artworks a century ago. She also describes how activist groups like ACT UP, Greenpeace and PETA have used high-profile disruptive actions in the past to raise awareness and press for change. Many of these groups are now lauded, but their tactics were often excoriated at the time. What can we learn from the history of activism? How can these lessons help us understand the protests of today?
How concerned are you about climate change? Do you think enough is being done to stop it? Have you ever participated in a climate protest or climate activism? If so, why? How effective do you think it was? What do you think should be done to address climate change?
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